@article{oai:shudo-u.repo.nii.ac.jp:00000760,
 author = {高木 , 敬雄 and 吉本 , 美穂 and 堀内 , 良治 and 前田 , 総持 and タカギ , タカオ and ヨシモト , ミホ and ホリウチ , ヨシハル and マエダ , ソウジ and Takagi , Takao and Yoshimoto , Miho and Horiuchi , Yoshiharu and Maeda , Souji},
 issue = {2},
 journal = {広島修大論集. 人文編},
 month = {Feb},
 note = {P(論文), Cognitive Psychology is rich in implications for the psychology of music. The border between cognitive psychology and music of mind is already rich planted. The aim of this study is how does musical cognition build upon, or how is it related to language and emotions? How are the emotions we feel in response to musical works "ecologically" based? What can neuroscience tell us about complex musical emotion? Is the language helpful and productive to treat music?},
 pages = {243--266},
 title = {音楽の認知心理},
 volume = {43},
 year = {2003}
}